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  1. Panel 1:
    text:
    megatokyo omake theater presents...
    text:
    unMod episode 2
    Piroko:
    Since allowing myself to be 'acquired' by the trafficking circle, this was the first time I had seen so many girls gathered in one place. I soon found out why.
    Kuro:
    As you can see, gentlemen, we have a fine assortment to choose from.
  2. Panel 2:
    Piroko:
    For this, the behavior mods on the girls were dialed up to make them little more than fet-modded dolls. My installed fet-mods nullified MY behavior mod...
    Also shown:
    Asako, Junko, Mami, Megumi
  3. Panel 3:
    Piroko:
    but how could I disrupt the sale and protect a room full of dolls...
    Also shown:
    Junko
  4. Panel 4:
    Piroko:
    who can't walk, run, hide or even talk without...
  5. Panel 5:
    Yuki:
    Why did you change them?
    customer:
    Oh my... what a cute, CUTE little angel!
    Also shown:
    Asako, Kuro
  6. Panel 6:
    Yuki:
    Weren't they good enough the way they were?
    Also shown:
    Kuro
  7. Panel 7:
    customer:
    What is this? I see no fet-mods on this one. No mods at all!
    Kuro:
    Where did this one come from? Remove her.
    Piroko:
    I had no idea where she came from. She had no fet-mods. I had not seen her before.
    Also shown:
    Yuki
  8. Panel 8:
    customer:
    I... I have to touch them.
    Kuro:
    Nullify plug. Wipe her.
    Also shown:
    Piroko
  9. Panel 9:
    Yuki:
    Hey. Let go.
    Kuro:
    Just a little girl with a broken mod. Please continue with your selections.
    customer:
    So soft...
    Also shown:
    Asako, Piroko

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< Piro >

emo largo (shudder - what a concept :P) by Hawk and Ananth at Applegeeks

"resurfacing"

Thursday - February 22, 2007

[Piro] - 16:27:00 - [link here]

Hey folks, believe it or not, i'm still alive. Sort of. i think.

Last time i posted a rant was January 10th. Things have been extremely busy for me since then, and not everything has worked out the way i had hoped (obviously). I suppose it was the fact that after getting through the Christmas rush, i felt relaxed about having that workload off my shoulders and the remaining work for book 5 looked like it would be a piece of cake :P It's pretty obvious that some my plans did not pan out the way i had hoped, but it wasn't because it was unrealistic, i just had a lot of things come up unrelated to MT and the book that i had to deal with. Luckily, i think MT chapter 8 ended pretty well, and i'm not really that far behind. I'm tired, but I'm getting there.

I found myself tweakng more pages in this book than i have done in previous books. I have three comics that i am adding frames to, adding one comic to chapter 8, one comic i have to re-scan and rebuild, and a multitude of tweaks and little changes that i felt were necessary to make things flow better.

The comic i'm adding to Chapter 8 is right after Yuki looks down to see the boy looking up at her. From a story perspective i do not really need to add a comic here, but i wanted to nudge the remaining pages so that the left/right pairing of the last 10 pages or so worked better. These kinds of things you don't really see till you start assembling the book, and are not an issue on the website. Sometimes you want to have the reader not see what is coming next till he or she turns the page, and i found that a lot of the last batch of pages needed to be shifted to get the correct R/L orientations. Luckily it worked out so that i just had to add a page, and since i was able to finish the chapter one page short of my plan, it was easy to do.

It's weird, but there were only two OSE comics in the past two chapters. So rather than doing a new Seraphim Check for the end of this chapter, i'm placing one of the OSEs instead. We're still going to do a Seraphim Check before the next chapter starts, but not till after i am done with the book.

There are three comics that have some rather substantial changes, requiring the addition of a frame. I'm doing this to make them read better and while it will involve tweaking dialogue, etc, it doesn't change the story content in any appreciable way. There are also a few comics where i've changed an expression to better match the flow of the particular sequence, etc, but once again its not a major change. There are two comics that i flipped in order to make the scene transition work better. There are some small changes i knew i was going to make, that have to do with the difference between reading the comic online and reading in a book. When you post a comic online and its 2 or 3 days till the next one, sometimes you can't really leave things hanging (for instance, in comic 943, Piro says 'i better get back to the store." which i felt needed to be there to make it clear that piro kept on walking. In the book, its pretty clear that piro didnt stop, so i eliminated that and tweaked his dialogue to something simpler). Those are the kinds of changes that really pinpoint the difference between online reading one page at a time and the flow in a book, and aren't really that major.

It's not unusual for me to look at a comic from a previous chapter and think that its not as good as i would have liked, or that the dialogue isn't quite spot on. I usually leave it or tweak it slightly, because i don't like changing things unless i have to. There is one comic in this book that i felt really did need to be changed. It has bothered me since i did it, because something about it never felt right -- Comic 763 - "Perfect." It's like half way through the comic i stopped following where this i wanted this particular comic to go. The pep talk nature of it seemed odd and out of place. Last night i reworked frames 4, 5 and 6 to revise the tail end of Erika's response to what it probably should have been in the first place. It ties in much better with the remainder of the chapter, and the story in general. Here's the revised version, which will be replacing the current version in a few weeks. I'll probably also revise the online versions of the other 3 or 4 comics that i've made substantive changes to, not because they change the story but because they do read better with the changes.

The last leg of getting this book done is to pull all this extra material together and assemble it for the book. I've been getting some help from two friends who are also avid MT fans and have a head for details. The extra material is shaping up to be 9 pages of character bio, a story timeline, a real life timeline (history of MT), and various other notes and other little tidbits. Some of this and other material will end up as part of the long missing 'story and character' section here on the website. I'm working on new drawings and sketches for each of the characters listed, but i may have to reuse some old drawings as well, we'll see.

My main focus this week is finishing up this book, and i appreciate your patience with having this week be comic-free (except for a SGD, which dom says he will be torturing you with tonight). Next week, if all goes well, i'll be diving into an Omake that i hope you all will enjoy. I'd like to say it will be monday, but i think that realistically it will be Wednesday (since my deadline is Tuesday). Hawk, who did a lot of the pre-processing for me on the bulk of the pages for the book (thanks hawk!) also did a rather amusing gift art around the idea Ananth had as to how an Emo Largo might look :P. I've also demanded a Cute Happy Piroko like the one he did at Katsukon for the Iron Artist competition.

That's enough blathering for today, time to get back to work. Thanks for your support!

< Dom >

Oop ack!

"Friends in Mo Places"

Monday - March 5, 2007

[Dom] - 10:00:00 - [link here]

The Game Developers Conference (GDC) is coming up in a couple of days, and while I'm not going as a journalist this year (as a matter of fact, I've never been to GDC before), I seem to have been "blessed" with an unusual way of getting in.

See, a friend of mine from college works for a motion capture company, and he recently sent out a request for shameless monkeys such as myself to prance around and demonstrate their mocap in action.

That means that I'm taking a day off of work to work for him (for lower pay but infinitely better stories). Which means that this week, I'll be dancing around San Francisco in a spandex suit for money. The spandex suit will be lit up like a Christmas tree. It's every mother's nightmare, really.

Yes, there will be pictures. I hope to be doing idolm@ster dances. Maybe some EBA too.

How does this stuff happen to me? I dunno, but I hope that it keeps on happening.

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