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  1. Panel 1:
    text:
    The digital artist in his natural habitat
    Dom:
    Hey, that's funny. This blood stain looks weird.
    Ian:
    Oh yeah, that's the alpha sorting. See how it disappears in front of that light?
    Dom:
    I have no idea what you just said, but it sounds nifty!
    text:
    (giant TV)
  2. Panel 2:
    text:
    The digital artist, in World of Warcraft
    Dom:
    Consecrate's down, you can start now.
    Dom:
    Ian? You there?
    Ian:
    What idiot signed off on this texture seam, anyway? It's hideous! Look, you can totally se where one floor texture meets another!
    Ian:
    Can't you see it? It's as plain as day to me!
    text:
    (lame-looking Zul'Aman gear)
    text:
    (imagine Orcish hordes here)
    text:
    Texaporte
    text:
    Cherabim
  3. Panel 3:
    text:
    The digital artist, removed from his natural habitat
    Dom:
    Okay, last item on the shopping list, cat food and litter.
    Dom:
    What kind do you guys get?
    Ian:
    It's... a green and blue bag. With a cat on it? Maybe?
  4. Panel 4:
    Ian:
    Or maybe it was a green bag and a blue bag. And the kitty litter has black cats on it, but I can't--
    Ian:
    Would you stop laughing and help me look for it?

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< Piro >

Pochiyama-san (by Yoshitoshi Abe)

"Pochiyama-san"

Tuesday - May 6, 2008

[Piro] - 12:37:44 - [link here]

You probably remember back in February when, after a few months of settling into the new reality of being a dad, I shook myself out and tackled the task of getting back to work. I wanted to find more reliable and efficient ways to produce better work, since my old methods were not what anyone would call ‘efficient.’

It’s been much easier said than done. As so often happens with ventures into the new, I found myself turning back to old ways of doing things just to get them done. What I’ve found, however, is that with some perseverance and some fortuitous equipment failures, the old ways of working can be put away for good.

One of these new ways of working that I’ve pursued vigorously in the past month is going fully digital with my drawings. You can judge my success with this by the fact that every comic since 1110 has been drawn entirely on the computer. There are a lot of benefits to this method - no clean up, the ability to work with layers of rough sketches and underlays, the ability to move things around and scale them up and down, etc. The more I work with it, the happier I am with the potential.

My first experiments with drawing digitally were actually back in Febuary last year, right after I got my Cintiq. I did a few comics using Alias Sketchbook Pro, which had a very natural feel to it (unlike Photoshop, which to me had the sensitivity of drawing with an ink bottle). The program crashed a lot, and in the end the process was actually taking longer to do than by hand.

A little over a month ago, I started poking at the idea again, which was natural given the fact that I was experimenting with digital hatching. The fact that most of the recent comics have not been hatched is because I was still trying to figure out the best way to get the look and feel I wanted. The search for this had to go on the back burner as I tried to get comfortable with the drawings themselves. The hatching methods would flow from whatever drawing method I settled into.

At first, I was using Painter IX to draw, which was giving me reasonable results. After a while, with a little practice and a lot of tweaking, I was getting more and more satisfied with the results. I was working on a fairly slow computer, which caused me much grief sometimes, but it worked, and as long as kept the load off the CPU, my old 1.25ghz G4 Power Mac was doing fine.

That was until two weeks ago, when Reki, that G4 Power Mac I’ve been working on since February 2003 started throwing up some signs that she was thinking of taking her day of flight.

I’ve been having some odd problems with some of my external hard drives not mounting properly, but I was more than a little puzzled when the main hard drive, the one I boot from, was ‘missing’. Everything ran ok, and I wasn’t keeping any data on it, but there was something spooky about not being able to access any of the files on the hard drive that the system was actually RUNNING off of. I had planned at some point to get a new drive and do a fresh upgrade to Leopard, and it looked like that time had finally come. The main drive is original to the machine and I’ve never done a fresh install (all upgrades) so i'd say she's due. Says a lot about how nice OSX is to work with. Try that with Windows :P)

As I set off to get a new drive and purchase Leopard, Sarah asked me how old the machine was, and wondered if maybe it was time to upgrade. I wonder if I looked forlorn or just sad as I shuffled off to the computer store... She took pity on me. After a trip to the local Apple store, I came home with a brand new dual 2.8 Ghz Mac Pro G5. I have called her Pochiyama (a rather quirky character in a doujinshi by Yoshitoshi Abe who runs a pharmacy and communicates by writing notes on paper rather than speaking :)

It took a while to get things set up, as you might imagine. There were all sorts of little problems, from having to find that DVI-I to DVI-D adapter that came with my Cintiq to get it to work in something other than VGA mode, the fact that I could not just plug my ATA drives into the new machine because it took SATA drives (easily solved, just got a big SATA drive and stuck it with my existing SATA drive in the machine and shuffled files around). I also upgraded to CS3, which resulted in my Canon 8000F scanner not working with my new machine... You get the idea. When you’ve been using one machine for almost five years, replacing it is a fairly major deal.

The thing I’m most happy about is the result of a small glitch in the system that was easily fixed by a reboot, but made me reconsider the use of Painter for drawing. After some frustrations with what appeared to be a non functioning Pan command, I fired up my new version of Photoshop (CS3) and started poking at the brush controls. What suprised me was that I was able to tweak texture and some other settings in ways that gave me a REALLY satisfying pencil brush. What I love about this is that I can draw in an enviroment I am very familiar with and one I LIKE to work with. :) All of the comics since 1114 have been done using these brushes and Photoshop CS3. The Hatching issue is almost solved as well. CS3 is full of much win and love.

One other thing I did was step back from my two monitor setup and go to using only the Cintiq. Part of this was because I’d need to get an adapter to run my 23” ACD on the new machine, and part because I still have it hooked up to Reki, but what I’ve found is that I LIKE not having that second screen there full of distractions and taking up desk space. Some of my friends thought I was crazy going back to a single monitor arrangement, but since so much of what I use for reference is analogue anyway... Having a more open desk is a bigger benefit.

Reki still works, and I can access the files on the main drive remotely (which is so damn odd) and at some point I’ll use one of these freed up ATA drives to rebuild her, but for now she’s resting happily.

I’ve been working on two other projects during all of this, which has also had an impact on my schedule, but as of today I think things will level off a bit. I’d like to thank everyone for their patience with me and the schedule in recent months, and for my lack of communication on just what exactly is going on. This long and eventful chapter is coming to a close and I’m looking forward to wrapping it up and moving on to an omake.

I have a few ideas I’m working on for that, we’ll see which way I go. It will depend on how off the deep end i feel at the time. (Chuckle)

< Dom >

Buy buy buy!  (Oh god, I feel sick)

"Awkward Self-Promotion"

Monday - June 9, 2008

[Dom] - 14:55:32 - [link here]

I've never been good at promoting myself. Something in my upbringing shies far away from anything that could be interpreted as ego, narcissism, or excessive pride. Good work should speak for itself, and if people enjoy it, they are the ones who should decide what to do with it. I know that you have to advertise to live, but I just don't like drawing attention to myself for money's sake. Now, drawing attention to myself for attention's sake, that's all well and good. But I've been taught that doing something just for the money is as impure as stealing credit for something or a host of other sins of hubris.

In my grade school and college years, my love of professional wrestling only increased this fear of self-promotion, since modern wrestling's all about pimping yourself out to get people to buy your merchandise or watch your next match on pay-per-view. The sight of a wrestler coming out to his special entrance music (available now on the latest soundtrack CD!) and wearing his latest t-shirt (available at the concession stand on your way out and through the online store!) was enough to make me want to flee the room. That incredible amount of commercialism on display made my mind revolt against the possibility that someone could be so willing to turn his public life into an advertisement. I just couldn't comprehend it.

When I first stepped into the web comic world, I started running into the phenomenon on a smaller scale, but it continued to freak me out. Seeing webcomic artists wearing their own t-shirt to plug it made me more than a little uncomfortable. So, I resolved not to be like that - at my last count, I own 2 MegaTokyo beanies and 3 lanyards that haven't seen use outside of a convention hall. About the most I'll do to try and plug MegaTokyo to anyone is to say "hey, nice shirt" to someone I see wearing the MT colors, since the usual response is "thanks" and the conversation ends there without me feeling like some kind of shameless shill.

And now I have a small merchandise line that Fred has built around me and the Shirt Guy Dom persona.

Awkward.

So, um, if you like it, buy it. And stuff. The mouse pad is nice. And the shirt is something that's been long in the making.

Whatever you do, buy or not buy, please, don't tell my family about this. It was strange enough signing an autograph for my cousin, or buying some books for my uncle and signing those, but if I see a niece of mine wearing some kind of baby T with her Uncle Chicken printed on it, I think I'll have to take up hermitage.

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