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  1. Panel 1:
    You're goin' down, rat!
    Also shown:
    Boo, Seraphim
  2. Panel 2:
    What the--?
    What vermin is this?
    Also shown:
  3. Panel 3:
    <I... I...I...>
    A wretched minion. A faceless soulless spy of darkness.
  4. Panel 4:
    Also shown:
  5. Panel 5:
    <You... you cannot keep the great idol from us!! She belongs to all of us! She is out idol!>
    <We will find her!! She is ours!! She is-->
    Also shown:
    Largo, Ping
  6. Panel 6:
  7. Panel 7:
    Go. Learn to ph34r this place.
  8. Panel 8:
    What the--?


Tokyo Threat Documentation Project
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< Piro >

that other site...

"the joy of deadlines"

Friday - December 5, 2003

[Piro] - 11:00:00 - [link here]

Ok, just a few quick comments today. My deadline for getting book 2 done is monday, so that's what I'm concentrating on this weekend. I'm about a week behind my original goals (my self-set deadline), but things are still on schedule for the January release. The book is coming together really well. Rather than comment on what I've been working on for it, I'm going to try to finish it first, and then comment on it.

That said, I'm off to work. There is a good chance that Monday's comic might be late as a result of this (as in, I might not actually do it till monday) but it all depends on how much I get done today and saturday. Thanks for your patience. :)


Oh! I just came across this today, and its very much worth pointing out. I was checking out an article over at the Pulse on a new Antarctic Press title called "Legends from Dark Wood", mainly because the artwork really caught my eye, and i did a double take when the artist for this title mentioned that he had done a guest strip for megatokyo before...

And sure enough, John Kantz did this highly amusing guest strip as part of our guest strip contest back in July 2001! Even if i had not made that connection, I was gonna pick up this title when i went to the comic shop, because frankly it looks pretty good. :) Way to go John, and good luck with the new series!

< Dom >

Oop ack!

"Words, words, wor... images?"

Friday - December 12, 2003

[Dom] - 12:00:00 - [link here]

I can't write the same way I did three and a half years ago. I blame MegaTokyo.

Helping out with this comic for three and a half years has pretty much shaped my life. I started as a computer science major with a strong interest in writing short stories and poems. And then Rodney/Largo roped me into editing some scripts that he'd written, because I had a reputation for being anal about spelling and grammar.

And, after three and a half years of poking at various scripts, here I am with a degree in English, focusing on "folklore, culture and mythology" (read: comic books and movies). My junior paper was on Transmetropolitan. My senior paper was a movie script. Well, okay, I had two senior papers, and the other one was a Faulkner essay. But one of them was a screenplay, and that has to count for something.

Another sign of change is that I simply can't write short stories anymore. Not that I was particularly good at writing them in the first place, mind you--I was trying too hard to write stream of consciousness, and in doing so tended to wander off on tangents. But writing scripts, reading screenplays and studying graphic novels by the metric assload has rendered me incapable of writing a short story without thinking "Hmm, this part would be much better illustrated, so I could use body language and foregrounding to express everything in a few strokes of a pencil instead of 200 words. And then in the next panel, I could shift this and this to fit, and..."

I bet that Will Eisner is patting himself on the back right now.

So, yeah, anything I write these days has to be a script, or I lose track of where I'm going. While I'm not sure whether or not this is a positive development, it's certainly gone well with my sporadic writing style. Every so often when the mood strikes, I'll sit down with a notebook and scribble down some dialogue and stage directions. If I like it, I start building around it until I have something resembling thirteen to twenty pages. While I tend to throw out a lot of what I write, I've gotten a lot of practice to the point that I'm almost satisfied with my technique.

How this applies to the back end of MegaTokyo--the comic, not the website--is interesting. Fred often starts with art and fits dialogue to it after the art is finished to his satisfaction, similar to the old Stan Lee method. It frustrates me to no end, since I always start with dialogue and adjust the image in my head to fit it, but most times we meet somewhere in the middle and no one ends up bashing their heads against the wall.

Sometimes, I get the urge to write a short story again. But after a few minutes, it always turns back into dialogue with stage directions, so I don't know if I'll ever write a whole story again. I also don't know if I care. Because, dammit all, I like writing for comics. It makes my short attention span happy.


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